My last blog entry was last summer when I gave a teaser about my new work, and now, we’re fully in the winter holiday season. Has it really been that long? The winter solstice, at our house, is a time to stop and reflect on the events & accomplishments of the closing year, and set goals and expectations for the approaching year.
I set a goal last year to lose some weight and get in shape (sound familiar?). My body building efforts were really about building up a body of new work.
Got Kibble? is just one of the new works that I completed this year. It was a hands-down favorite at my show in the Creative Framing Gallery in Louisville, CO in Sep-Oct. Pet compositions are fun to show in the Boulder area is because we are such an animal oriented community.
Not to be left out, that other favorite pet, the cat, is featured in my new piece, “Cat Nap”. This work was inspired by a photo I took while traveling in Greece, back in the mid-1990’s.
Previously, I completed a couple of small studies using this image. Two versions were made for my online Pet Portrait class. Here is one with a tetrad color scheme. Prior to that, a small work was donated to a charity event. Finally, after 20 years, the full up composition has come to fruition. Now, it’s subtle charm makes it one of my new favorites.
Cats VS Dogs?
At the show, a survey of viewers revealed that cats are more popular pets than dogs. Now, I’m getting a lot of pressure (and fun photos) for a series featuring cats. What about you? Are you a dog person? or a cat person?
Stay tuned, there is more work to share in a future blog. In the meantime, if you’ve been inspired to attempt your own pet portrait in fabric, check out my online Pet Portrait Memory class with The Quilting Company.
No time for that?!? I do commission work. Contact me and let’s talk about capturing a favorite image of your pet in fabric and thread.
Border Wall Quilt Project
Can’t write a blog without mentioning the Border Wall Quilt Project. We’re still accepting bricks and the wall continues to grow.
Yes, I’ve actually found time to create new original artwork this summer. The last several
months have been packed with travel, teaching, and the Border Wall Quilt Project, but I’ve still carved out some time to focus on several new works of art, including a new pet portrait. I’ll be a featured artist at the Creative Framing Art Gallery in Louisville, CO in the months of September-October, and these new pieces will be fully revealed at that time. If your in the area, please save the date: Sep. 7, 2018 for the opening reception, 6-9 PM.
New Pet Portrait in the Dog’s Life Series
For now, let me share a sneak preview of what’s to come. . . .
I often find inspiration from my students as I travel and teach. In Ft. Collins, CO a student shared a photo of her, “Crazy dog!” I had to agree, he looked pretty crazy, but also endearing. With her permission, I’ve done a new, larger than life, pet portrait.
I find that animal portraits don’t demand the same level of precision as portraits of people. This is just one more way that animals are more forgiving than humans. In this piece, the fabric does a lot of the work. The edges are raw and fuzzy and add a bit of dimension. I’ve done less thread-painting to keep those edges visible. It’s more like thread-sketching, and it’s great fun when you have to balance a new work with another new project that has a steep learning curve and lots of moving parts.
Plan to come and see this piece in person. Come to the reception and see me in person, too.
Border Wall Quilt Project: Section 3 Under Construction
OH, and that other new project is the Border Wall Quilt Project. Follow the link or follow me on Facebook and Instagram to see photos of the individual bricks and the process. There is still time to register and submit your own bricks.
It is exciting when a new work is completed. Vigil is finished and I’m thrilled with the results. It’s been photographed and added to the Genre gallery on my website. However, in this week’s blog, I want to share some of the details.
Vigil: Stitching the Dog
One challenge I faced in stitching the dog was to get the direction of the hair just right. Stella, the dog in this composition, is similar to my own dog, Bosco. So, anytime I was uncertain about the direction I should be stitching, I would sneak up on Bosco as he napped and use him as my reference. Of course, he would wake up and expect to be held and petted in return for his services.
Vigil: Creating Depth
Another challenge was to give a sense of foreground and background. For this, I rely, as I often do, on value changes. It is very subtle, but the black fabric used at the lower edge is slightly lighter than the dark fabric used for the upper part of the composition. This subtle contrast was enhanced with the thread choices in the stitching phase. As a viewer, you may never consciously notice the changes, but the image will register in your mind as having depth. Also, creating a broader field of gray below the white band brings that area forward.
Vigil: Stitching the Background
A final challenge was to add variation and subtle detail to the very large dark background area. I wanted to give the impression of a floor with a wall in the distance, but didn’t want to get too specific on where one transitioned to the other, and also wanted to maintain the feeling of a dark abyss. For this, I employed a circular stitch design for the carpet, and an elongated vertical stitch pattern to represent the wall and then varied where I transitioned from one pattern to the other. I also used two threads in this area: a solid black in the area around the dog, and a variegated thread of very dark values as I stitched further away from the figure.
In the end, I think this resulted in a very sweet piece that will be hard to part with. However, plans are already being made to exhibit this piece. When things finalize, I’ll let you know. For now, visit the Genre Gallery of my website to see some of my other works. You may notice another new work, Cruisin’. I’ll be sharing the story of this piece in the weeks to come.
Time for Studio Art and Time for Play
Two things I just can’t get enough of this time of year are: time in the studio for making art, and warm sunny days for wandering about in the woods. What do you do when life gives you both at the same time??
Progress on my latest piece has felt slow due to multiple interruptions. So when I find myself home alone, except for our dogs, and have no commitments or appointments, I’m ecstatic. YES!! WE’RE GOING TO MAKE SOME PROGRESS TODAY!!
First, I work in the studio…
When I wake up to those first hints of sunlight, I shuffle to the coffee pot, and wander into my studio with a sense of urgency and expectation. Surveying a quilt top on the longarm, gears began to turn. My mind’s eye can see a variety of stitch designs that I will use, thread colors and combinations, and a clear order that they will be laid down on the surface. I am in the zone.
An hour goes by before the dogs remind me that if I don’t feed them and take them out, I’m really going to be sorry. It is then that I get my first smell the pines and see the sun lighting up the mountains. However, it’s still early, the air is cool and the breeze is chilling, so, “Back inside everyone, there is work to do.”
…Then, I walk in the sun.
As the day progresses, so do I. But the beautiful day unfolding outside is getting harder, and harder to resist. Five hours go by before those pesky dogs are at it again, whining and scratching at my legs. Finally, I’ve had enough. We are out the door.
Being focused and closing myself off to distractions is great, to a point. However, this day has brought me studio time to work AND sunshine to feed the soul. All things in moderation, right??
Check back next week and I’ll show you some closeup photos of the stitch designs that I am using for this piece. At this moment, my brain is working out how to handle all of that dark background.
Want to immortalize your own special pet? Check out my Pet Portrait Memory Quilt class at Craft U.
Visit my portfolio to see more thread-paintings.
A Loyal Beast
I’m sure you have heard, or know of a real life example, of a dog that sits and waits, keeping vigil, for his master’s return. Recently, I noticed that when my husband leaves the house, my dog, Bosco will sit by the door to the garage and patiently wait for his return, often several hours. When I attempt to coax him away from the door to sit with me, he refuses. Sure, this is very sweet in one respect, but it’s also very distressing. I always thought I was his favorite. Anyway, it is this kind of devotion that inspired my new piece, “Vigil.”
Alone in the Abyss
In preparation for taping my Pet Portrait Memory Quilt class, I put out a call for cute pet photos and received one from a teaching colleague that captures this unselfish devotion. Immediately, I was drawn to the juxtaposition of light and dark and how it helped to conjure the image of the lonely dog laying, waiting, and ever hopeful of the return of a loved one.
Another compelling feature of this composition is what is best labeled ‘potential energy’. You just know that a frenzy of barking, jumping, wagging is about to be unleashed as the door opens and the dog awakens. Truly, I can think of few things more uplifting than unbridled enthusiasm simply because of your presence in the room. What about you?
The Back Story
Stella is the dog who inspired this piece. She wasn’t actually laying in wait. She loves to sleep in the sunlight coming in a window. A careful look at the original photo shows the legs of the dining table and chairs. I interpreted the image in an entirely different way. Days later, when I told my colleague what I saw in the picture, she was very surprised.
PS: He loves me too.
Finally, I spoke to my husband about Bosco’s devotion to him and my jealousy. He assures me that Bosco does the same when I leave.
Vigil is the second in my series of Dog Stories. The first in the series was Puppy Love.
Next week, check back to see how things are progressing.
As I look back at that last post, I realize that much has changed:
- gave my website a makeover for a cleaner, fresher look
- rearranged my studio for better energy flow
- finished and found the perfect title for my newest piece.
Ta-Daa…I give you Busy Signal
In my last post, I was just beginning the stitching phase of the work. Take a look at the results up close.
What really excites me about this piece were the challenges that led to an evolution in my process.
One of the difficulties in thread painting is to balance the stitching in such a way as to keep the surface relatively flat, and then mitigate when it isn’t. This usually involves a process called “blocking” where the surface is moistened and then heat and pressure are applied until the piece is dry. If all goes well, the bulk is redistributed.
That was not working for me, until panic and frustration led to inspiration. I realized that Busy Signal was flat except for the face. When pushed from the back, it was beautifully convex, if not a bit unstable.
I went with it; attached a reinforced panel, slightly larger than the face, to the back of the piece and filled the space between with batting for support. I’m thrilled with the result. It may be difficult to fully appreciate in photos, but when you see the piece in person, you can realize how it enhances the sense of depth in the piece.
Why I love being an Artist?
problem-solving — thinking outside the box — discovering something new
Where can you see it in person? I’m currently working on a few options. I’m also hard at work on my next piece, and a new series, that will use this new technique again. Stay tuned because you’ll see it and read about it here, first.
Shifting gears, moving to the next phase, changing the focus; that’s what I’ve been doing in these last couple of weeks as I transition from the fusing stage of my project to the stitching stage. I find it helpful to take a break and clear my head so that I can look at the project with fresh eyes. So, during this period, an idea that has been floating around in my brain for several years actually came alive and demanded to be brought to creation. I’ll share that with you in a few weeks. It is a total departure from this project and did allow for the fresh perspective I needed.
Before going of on this side trip, the fused fabric foundation for “We Don’t Talk” was loaded onto my longarm machine. You can see here all of the layers and how they are placed. If you’ve done your own thread painting, you may know that it is always a struggle to end with a piece that lies flat. I’m always on the quest for a better solution. In the past, I’ve used a layer of raw artist canvas. This has been marginally successful, so, this time I will use 2 layers positioned under the batting so that the grains are perpendicular to each other. I’m giving it a shot, but the tradeoff is weight. This baby is going to be heavy for it’s size.
(2 weeks go by)
Thread, thread, so much thread needed. Just as with my fabrics, I like to create selections for each element in the project, and just like with fabric, I use my trusty value scale to make good choices. However, with threads, I usually put together sets of 7-10 threads: one each of the #1 and 5 values, and then two or three each of values 2,3,4. However, given the size of the figure in this piece, I may have 3-5 threads in every value. Here is what it looks like in my studio when the threads come out to play.
Hmmm, I think I’ll start on the face first. Check back next week to see the progress.
Yes, Finally, all of the body pieces are working together and creating the depth of field that I’m looking for. With the face in place, I add some hair.
Yuck, that hair looks a bit too much like a helmet, but I’ll fix that when the background is in place. I rehearsed several fabrics for the background and settled on a piece that I made a few years ago in a dye/print/paint surface design class that I took with Susan Brooks in Louisville, CO.
Periodically, I take a class that is out of my comfort zone, just to learn some new things and get a fresh perspective. That was Susan’s class. I came home with lots of interesting pieces of fabric with no idea what would ever come of them.
How happy am I to find the perfect background in that stash of “experimental” fabrics.
Now, back to that hair….
This is better. Phase 1: Fusing is complete.
Finally, I’ve posted a new video on my YouTube channel
This latest video is Golden Mean Calipers Part 4 where I share how to find the optimum position of eyes, nose, and mouth in a portrait quilt.
There will be new video coming each month on how to use my calipers and other design tools. Subscribe to my You Tube Channel: Lea McComas Fiber Art to follow along.