Tag Archives: fiber art

Women's Work by moonlight

Women’s Work: When Will It End?!?

Women’s Work, a masterwork that has consumed, and fed, my artistic spirit for the last year and half, may finally be coming to an end.  This journey started in September 2019, when I was approached by a representative from the Clinton Foundation about creating an art quilt for Women’s Voices, Women’s Votes, Women’s Rights.  This is an exhibit to celebrate the 100th anniversary of women getting the right to vote in the US.  Originally scheduled to open at the Clinton Presidential Library in September 2020, COVID-19 delayed the opening 1 year.  Not to diminish the devastating effects of this virus, but isolating at home gave me the opportunity to create the most ambitious project I’ve ever attempted.

What do you want to do?

This question stopped me in my tracks.  Initially, I couldn’t decide on a single person or event to celebrate in my work; there are just too many options.  The more I researched, the more difficult the decision became. Finally, inspired by Raphael’s painting, School of Athens, I realized that I could create a piece celebrating the work of dozens of women whose voices and deeds have contributed to the fight for women’s votes, rights, and equality.

Inspiration for Women's Work

Raphael’s painting titled School of Athens.

My vision:

In my mind, I saw a gathering of women representing a variety of time periods and vocations, and gifts. I would group them by theme to demonstrate how women’s work has progressed through the centuries, with each generation building on the progress of the previous.

Now, this was a bold, big idea, and big ideas need big space, so I decided to make the piece 10 feet wide and 8 feet tall.  The unintended consequences of this decision are fodder for a  future blog post titled “Bloopers and Blunders”.

How Do You Eat an Elephant?

Having a vision for Women’s Work, and knowing how to bring that vision to fruition are two very different things.  My progress stalled as I just couldn’t decide what to do next. The project was enormous; something like eating an elephant.

One Bite at a Time.

Women's work: Lea drawing a life-size pattern of the quilt

Drawing the pattern

Finally, in November 2019, this vision took off in 2 directions. First, create an appropriate setting

for the composition. Second, choose the women to be represented in the quilt.  The project started to disaggregate into bite size pieces, and I found a way forward.  Hungry for progress, I began to devour the tasks.

On physically active days, I drew a life-sized pattern and built structures from fabric.  I discovered that organza made a great glass ceiling, as pillars morphed into caryatids. All the while, insufficient amounts of fabric prompted creative design decisions.

Women's Work: progress photo shows entry, steps, floor, wing walls, glass ceiling, pediment carving and distant sky

Distant sky is creative solution when there is not enough fabric.

Women's Work: shows first 2 phases of creating building setting of the pictorial quilt.

Glass ceiling and marble floor.

 

 

 

 

 

Women's Work in progress: working out statuary.

Working out statuary with paper versions.

On mentally active days, I researched women and their achievements. Going “old school”, I

Lea doing research for Women's Work

Lea, conducting research for Women’s Work

wrote information about each woman on a 3×5 notecards.  Over and over, I laid them out, rearranged,, stacked, and paper clipped them.

Now, with Women’s Work is nearly complete, I’m impatient to share what I have done. Please, subscribe to this blog to get the full story. (A pop up window will appear when you leave this page.)  In the months to come, I’ll share essays about the women who are depicted in the work, (there are more than 50) and tell you more stories about how the quilt was made. Later, when the conditions are right, I invite you will join me to see the quilt in person.

Women's Work by moonlight

Solo exhibit in the time of COVID

 

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Color Temperature

Fabric Fever: When Color Temperature is Cause for Concern

In these winter days, especially now, having a fever is cause for concern. Staying home and

Does you fabric have a temperature?

away from others gives me more time with my fabric, where temperature has also been on my mind.  Last year, I started teaching a monthly Zoom class on Color & Composition through the Rocky Mountain Quilt Museum and our color focus last month was about temperature.  Here is a bit of what we discussed…

What is Warm? What is Cool?

The exact dividing line between warm & cool colors has been an open topic for centuries.

various versions of color temperature

What is your preference?

Your preference likely depends on your medium: a digital graphic artist lives in a different color world than a fiber art quilter.  Here is what I work with…

my take on color temperature

Here are my play groups for warm and cool colors.

I also think of red and green as temperature neutral.  They can function with either play group, but will be the coolest kids in the warm group, and the hottest kids in the cool group.

color temperature - warm

What’s cool in the warm group?

color temperature - cool

What is warm in this cool group?

How is Temperature a Tool?

It’s a fact that warm colors advance and cool colors recede!  In a composition, we can create a sense of depth using temperature.  Warm colors will seem closer to us and cool colors will fall to the background.  Or do they?  Do we know this because someone told us, or because we have experienced it?  I say, “You don’t really own that knowledge until you test it out.”  

So, I created a series of simple compositions of a box on a background.  These are only  8 x10 inches, easy to make, and keep on hand for future reference.

Warm vs Cool – Round 1

First, here is a box in a warm color sitting on a cool color background. 

Does the box visually pop off the surface?

Now, here is the reverse: a cool color box on a warm color background.

What about this box?

If the concept holds true, the first version should appear to have more depth, and the background should fight for dominance in the second.  What do you think?

Warm vs Cool – Round 2

In my next experiment, I pitted warm and cool colors against each other in the same composition.  Using a temperature neutral color green for the back ground, I put a large and small box together in the composition.  Size will indicate to the viewer that the larger box is closer, but, how does color temperature amplify, or mute that message?  

 

Warm vs Cool in Pictorial Quilts

These examples are very dramatic, but the concept can be used in more subtle ways.  Color temperature is relative.  Even within the “Warm” or “Cool” color play groups, each color will appear warmer, or cooler depending on what color plays next to it.  For example, orange is cooler than yellow, but warmer than red.  Also, blue is cooler than green, but warmer than violet. 

I use this concept in all of my work.  Look through my genre and portrait galleries to see how warm tones advance from the cooler backgrounds.  When more than one person is included in a composition, I employ subtle temperature changes in flesh tones to make one figure more prominent, or appear closer than another. 

Which figure has the warmer complexion?

How does temperature amplify depth in this piece?

Experience is the best teacher

Now, if you really want to own knowledge of this concept, you need to conduct your own experiences.  It can be a simple as cutting out some circles of various sizes and colors, and then experiment with placing those circles on different backgrounds.  You don’t even need to fix them permanently.  Try one version, take a photo, rearrange, and take another photo.

If you try this, share a photo of your experiment with me:  Lea@leamccomas.com

Learn More About Color Concepts

Every month, I teach an online Color & Composition class through the Rocky Mountain Quilt Museum.  We meet via Zoom on the 4th Saturday of every month from 1:00-3:00 (Mountain Time zone).  Each meeting is a chance to explore a color concept, a color scheme, and a composition concept.  Come every month, or participate when you can.  The cost is $20/ session. Click this link to join us.

Here is what we’ll be exploring at our next meeting on January 23:

Color Concept: Creating Depth

Color Scheme: Analogous

Composition Concept: Variety & Unity

Sign up for the next Color & Composition class with Lea McComas

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Quilt Stories: The Making of Crossing Over

In a Quilt Stories interview with Lisa Walton, I spoke extensively with her about the making of  my quilt Crossing Over.  It was great fun to talk with a friend, and sister quilter from Australia.
 
QUILT STORIES - See how LEA McCOMAS creates her THREAD PAINTED AWARD WINNING masterpieces
 
 
Here is a link to the interview 
 
Lisa is creating a series of these interviews with quilters from around the world. Subscribe to her channel because there is more to come
 
You can see this piece and more of my work in my Portfolio galleries.
 
I’ve not been posting much in recent months as I’m working on a major new artwork that is bigger and more ambitious than anything I’ve ever done before.  It is a commission for an exhibit being put together by the Clinton Foundation to celebrate Women’s Voices, Women’s Votes, and Women’s Rights.  I can’t wait until I can begin to share this journey with you.
 
Take care and be safe–wear a mask when you go out.
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New Work: Dogs & Cats

My last blog entry was last summer when I gave a teaser about my new work, and now, we’re fully in the winter holiday season. Has it really been that long?  The winter solstice, at our house, is a time to stop and reflect on the events & accomplishments of the closing year, and set goals and expectations for the approaching year.

Body Building

I set a goal last year to lose some weight and get in shape (sound familiar?). My body building efforts were really about  building up a body of new work.

Got Kibble? at CF Gallery opening,

Got Kibble? is just one of the new works that I completed this year.  It was a hands-down favorite at my show in the Creative Framing Gallery in Louisville, CO in Sep-Oct.  Pet compositions are fun to show in the Boulder area is because we are such an animal oriented community.

 

 

Cat Nap, 44″ x 24″, fabric & thread, © Lea McComas, 2018.

Not to be left out, that other favorite pet, the cat, is featured in my new piece, “Cat Nap”.  This work was inspired by a photo I took while traveling in Greece, back in the mid-1990’s.

Pet Portrait class sample

Previously, I completed a couple of small studies using this image.  Two versions were made for my online Pet Portrait class. Here is one with a tetrad color scheme. Prior to that,  a small work was donated to a charity event. Finally, after 20 years, the full up composition has come to fruition. Now, it’s subtle charm makes it one of my new favorites.

Cats VS Dogs?

At the show, a survey of viewers revealed that cats are more popular pets than dogs. Now, I’m getting a lot of pressure (and fun photos) for a series featuring cats.  What about you? Are you a dog person? or a cat person?

I’m thinking dogs rule.

    Cats rule, Dogs drool!

Stay tuned, there is more work to share in a future blog. In the meantime, if you’ve been inspired to attempt your own pet portrait in fabric, check out my online Pet Portrait Memory class with The Quilting Company.

No time for that?!?  I do commission work.  Contact me and let’s talk about capturing a favorite image of your pet in fabric and thread.

Border Wall Quilt Project

Can’t write a blog without mentioning the Border Wall Quilt Project.  We’re still accepting bricks and the wall continues to grow.  

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Time for a New Pet Portrait: Got Kibble?

Upcoming Exhibition

Yes, I’ve actually found time to create new original artwork this summer.  The last several

Lea at the Creative Framing Art Gallery

I’ll be in good company

months have been packed with travel, teaching, and the Border Wall Quilt Project, but I’ve still carved out some time to focus on several new works of art, including a new pet portrait.  I’ll be a featured artist at the Creative Framing Art Gallery in Louisville, CO in the months of September-October, and these new pieces will be fully revealed at that time. If your in the area, please save the date: Sep. 7, 2018 for the opening reception, 6-9 PM.  

New Pet Portrait in the Dog’s Life Series

For now, let me share a sneak preview of what’s to come. . . .

Background detail of Got Kibble?

Some of my hand dyed fabric in the background

Face detail of Got Kibble?

Detail of dog

I often find inspiration from my students as I travel and teach.  In Ft. Collins, CO a student shared a photo of her, “Crazy dog!”  I had to agree, he looked pretty crazy, but also endearing.  With her permission, I’ve done a new, larger than life, pet portrait.

I find that animal portraits don’t demand the same level of precision as portraits of people. This is just one more way that animals are more forgiving than humans.  In this piece, the fabric does a lot of the work.  The edges are raw and fuzzy and add a bit of dimension.  I’ve done less thread-painting to keep those edges visible. It’s more like thread-sketching, and it’s great fun when you have to balance a new work with another new project that has a steep learning curve and lots of moving parts.

Plan to come and see this piece in person.  Come to the reception and see me in person, too.

Border Wall Quilt Project: Section 3 Under Construction

OH, and that other new project is the Border Wall Quilt Project.  Follow the link or follow me on Facebook and Instagram to see photos of the individual bricks and the process.  There is still time to register and submit your own bricks.  

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Vigil is Finished. See This Endearing New Work

It is exciting when a new work is completed. Vigil is finished and I’m thrilled with the results. It’s been photographed and added to the Genre gallery on my website. However, in this week’s blog, I want to share some of the details.

The lonely dog, a faithful companion, lies, waiting, and ever hopeful of the return of a loved one.

Vigil: Stitching the Dog

One challenge I faced in stitching the dog was to get the direction of the hair just right.  Stella, the dog in this composition, is similar to my own dog, Bosco.  So, anytime I was uncertain about the direction I should be stitching, I would sneak up on Bosco as he napped and use him as my reference.  Of course, he would wake up and expect to be held and petted in return for his services.

Lea McComas Fiber Art - Vigil detail

Detail of dog hair

Lea McComas Fiber Art - In the Studio

When you ask Bosco for help on a project, he is all in.

 

Vigil: Creating Depth

Lea McComas Fiber Art-Vigil

subtle value changes create feeling of depth

Another challenge was to give a sense of foreground and background.  For this, I rely, as I often do, on value changes. It is very subtle, but the black fabric used at the lower edge is slightly lighter than the dark fabric used for the upper part of the composition.  This subtle contrast was  enhanced with the thread choices in the stitching phase.  As a viewer, you may never consciously notice the changes, but the image will register in your mind as having depth.  Also, creating a broader field of gray below the white band brings that area forward.

 

Vigil: Stitching the Background

Lea McComas Fiber Art-Vigil detail

Subtle changes in thread and stitch design hint at what’s behind.

A final challenge was to add variation and subtle detail to the very large dark background area. I wanted to give the impression of a floor with a wall in the distance, but didn’t want to get too specific on where one transitioned to the other, and also wanted to maintain the feeling of a dark abyss.  For this, I employed a circular stitch design for the carpet, and an elongated vertical stitch pattern to represent the wall and then varied where I transitioned from one pattern to the other.  I also used two threads in this area: a solid black in the area around the dog, and a variegated thread of very dark values as I stitched further away from the figure.

In the end, I think this resulted in a very sweet piece that will be hard to part with. However, plans are already being made to exhibit this piece. When things finalize, I’ll let you know.  For now, visit the Genre Gallery of my website to see some of my other works.  You may notice another new work, Cruisin’.  I’ll be sharing the story of this piece in the weeks to come.

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Work in the Studio vs. Walk in the Woods

Time for Studio Art and Time for Play

Lea McComas Fiber Art

Sunrise on the Continental Divide

Two things I just can’t get enough of this time of year are: time in the studio for making art, and warm sunny days for wandering about in the woods. What do you do when life gives you both at the same time??

Progress on my latest piece has felt slow due to multiple interruptions. So when I find myself home alone, except for our dogs, and have no commitments or appointments, I’m ecstatic. YES!! WE’RE GOING TO MAKE SOME PROGRESS TODAY!!

First, I work in the studio…

Lea McComas Fiber Art "Vigil"

Vigil is fully fused

When I wake up to those first hints of sunlight, I shuffle to the coffee pot, and wander into my studio with a sense of urgency and expectation. Surveying a quilt top on the longarm,  gears began to turn. My mind’s eye can see a variety of stitch designs that I will use, thread colors and combinations, and a clear order that they will be laid down on the surface.  I am in the zone.

Lea McComas Fiber Art at work in studio

Lea at the longarm

 

An hour goes by before the dogs remind me that if I don’t feed them and take them out, I’m really going to be sorry. It is then that I get my first smell the pines and see the sun lighting up the mountains.  However, it’s still early, the air is cool and the breeze is chilling, so, “Back inside everyone, there is work to do.”

 

…Then, I walk in the sun.

As the day progresses, so do I.  But the beautiful day unfolding outside is getting harder, and harder to resist. Five hours go by before those pesky dogs are at it again, whining and scratching at my legs. Finally, I’ve had enough. We are out the door.

Lea McComas Fiber Art

Fresh air and sunshine

Being focused and closing myself off to distractions is great, to a point. However, this day has brought me studio time to work AND sunshine to feed the soul. All things in moderation, right??

Check back next week and I’ll show you some closeup photos of the stitch designs that I am using for this piece.  At this moment, my brain is working out how to handle all of that dark background.

Want to immortalize your own special pet?  Check out my Pet Portrait Memory Quilt class at Craft U.

Visit my portfolio to see more thread-paintings.

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Finally, Finished Fusing

Yes, Finally, all of the body pieces are working together and creating the depth of field that I’m looking for.  With the face in place, I add some hair.

Helmet Hair

Helmet Hair

Yuck, that hair looks a bit too much like a helmet, but I’ll fix that when the background is in place.  I rehearsed several fabrics for the background and settled on a piece that I made a few years ago in a dye/print/paint surface design class that I took with Susan Brooks in Louisville, CO.

Periodically, I take a class that is out of my comfort zone, just to learn some new things and  get a fresh perspective.  That was Susan’s class.  I came home with lots of interesting pieces of fabric with no idea what would ever come of them.

Dye class fabrics

Dye class fabrics

more dye fabrics

more dye fabrics

How happy am I to find the perfect background in that stash of “experimental” fabrics.

Background ini place

Background ini place

Now, back to that hair….

more-hair

This is better.  Phase 1: Fusing is complete.

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Keep Your Eyes Where They Belong…and nose and mouth

Use Calipers to position facial features.

Use Calipers to position facial features.

Finally, I’ve posted a new video on my YouTube channel

This latest video is Golden Mean Calipers Part 4 where I share how to find the optimum position of eyes, nose, and mouth in a portrait quilt.

There will be new video coming each month on how to use my calipers and other design tools.  Subscribe to my You Tube Channel: Lea McComas Fiber Art to follow along.

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Body Work

I’ve reached a place with my latest piece where I need to finalize a color scheme before moving on.  So far, I’ve only chosen fabrics for the flesh.  As I put these various body parts together, I’ve got to fill in the other elements of the composition (ie. dress, phone, background, hair.)  I use my Itten Color Star to work this out.

Color Scheme

Color Scheme

 

This Color Star is my favorite color wheel for making these kinds of decisions.  It comes with a full set of templates that let me block out colors I don’t want to use and let’s me get a better sense of what colors I will be  incorporating.

The hair is going to include yellow and yellow-oranges, while the phone will be blue-green, and her dress will be blue.

No decisions on the background yet, I’m going to put the figure all together and let it talk to me (or perhaps text me).

This week I’m able to complete the body along with the hand holding the phone. I’ve dipped into my special stash for the phone.  It is made from some hand marbled fabrics I picked up in Venice back in the 90’s.

A body to go with the hands

A body to go with the hands

Placing the face with the body, I have a real sense of progress.  I’m not sure about the darkness of the upper body, but I’m going to move forward.  I’ll audition some background fabrics before I decide whether or not to replace the body with lighter values.

A face with the body

A face with the body

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