Tag Archives: fiber art

Keep Your Eyes Where They Belong…and nose and mouth

Use Calipers to position facial features.

Use Calipers to position facial features.

Finally, I’ve posted a new video on my YouTube channel

This latest video is Golden Mean Calipers Part 4 where I share how to find the optimum position of eyes, nose, and mouth in a portrait quilt.

There will be new video coming each month on how to use my calipers and other design tools.  Subscribe to my You Tube Channel: Lea McComas Fiber Art to follow along.

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Body Work

I’ve reached a place with my latest piece where I need to finalize a color scheme before moving on.  So far, I’ve only chosen fabrics for the flesh.  As I put these various body parts together, I’ve got to fill in the other elements of the composition (ie. dress, phone, background, hair.)  I use my Itten Color Star to work this out.

Color Scheme

Color Scheme

 

This Color Star is my favorite color wheel for making these kinds of decisions.  It comes with a full set of templates that let me block out colors I don’t want to use and let’s me get a better sense of what colors I will be  incorporating.

The hair is going to include yellow and yellow-oranges, while the phone will be blue-green, and her dress will be blue.

No decisions on the background yet, I’m going to put the figure all together and let it talk to me (or perhaps text me).

This week I’m able to complete the body along with the hand holding the phone. I’ve dipped into my special stash for the phone.  It is made from some hand marbled fabrics I picked up in Venice back in the 90’s.

A body to go with the hands

A body to go with the hands

Placing the face with the body, I have a real sense of progress.  I’m not sure about the darkness of the upper body, but I’m going to move forward.  I’ll audition some background fabrics before I decide whether or not to replace the body with lighter values.

A face with the body

A face with the body

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Talk to the Hand

The fusing has begun.  This week I was able to put together the hand for “We Don’t Talk”.   It is created from warm red-orange flesh tones that I hope will pop off the surface and give it a real “in your face” feeling.  For greater realism, I’m working with 7, rather than my standard 5 values.

The hand

The hand

Next, the face emerges from those cooler red-violet fabrics.  You can begin to see that there is a significant contrast in the temperature of these 2 features.  I hope it works as planned.

The face

The face

I’m liking the detail in the eyes and mouth.

Next week I hope to fuse the body and put the pieces together.

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A New Beginning

After 8 months of buying a new home, selling an old home, packing, unpacking, FINALLY, it’s time to be back in the studio.  For my next piece, I’m taking another break from the historical series I’ve been working on. This next piece addresses a contemporary social issue.

SAMSUNG

Waiting for a table

I’ve long been uncomfortable with a shift in communication that takes us away from face to face contact, replacing it with texting.  Several years ago, I took this photo outside a restaurant, intending to use it for a piece titled “We Don’t Talk Anymore.”

In my day job, teaching high schoolers, I set aside a period of time each week for “Community Building” where we engage in an activity, purely for fun, that requires us to talk with each other.  At the start of this school year, I’m aware of how uncomfortable this is for many of my new students.  This is the inspiration for a new project.

Photo of Maya

Photo of Maya

Instead of the original photo, I’m working from photos I took of my step-daughter, Maya.  In the interest of full disclosure, she posed for these photos.  They were not candid shots.  If she has actually done this to anyone, it hasn’t been me.

With the photo cropped, edited, and printed to size, fabric selection is next.  Usually, I choose a set of flesh toned fabrics for each person in my compositions so that they have individual complexions.  In this case, with this bold close up of Maya, I’m going to need to establish 3 sets of fabrics just for her.  I want to establish her body on 3 different planes: hand in front, face in mid-ground, and upper body in background and in shadow.  I’m hoping, by doing this, to pop the hand forward and give real depth and dimension to this piece.fabric selections in 3 color ways

I start by choosing fabrics for the face. It’s in the mid ground so I choose pinkish, red-violet fabrics.  For the hand, I choose warmer fabrics in the red-orange range to make them feel closer.  Finally, the main body is in cooler, violet fabrics.  The cooler temps of these fabrics will push them back.  The tricky part will be the arm that transitions from the hand to the body.

Check in next week to see this piece coming together.

 

 

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Quilts Stored in Bathtub. What could go wrong??

Sometimes I look at people and the awkward or unfortunate situation in which they find themselves and I think, “Really? You didn’t see that coming?” Well, this week I’m saying that again while looking in the mirror.

Quilts in the bathtub.

Quilts in the bathtub.

As we moved into our new house, I was just stashing things wherever I could find space. My new studio is a spare bedroom with a full bath. That’s how my rolled up quilts ended up in the tub. After a few days, I decided it was the perfect storage place. It’s not like anyone was going to be taking a shower in there. I removed the handle so the water couldn’t get turned on, stood up about 20 quilts, and pulled the curtain. Five weeks went by and all was well…

Then, last weekend, the power went out. Our water now comes from a well, but the pump is electric. In time, we used water until the pipes ran dry.  When the power came on, the faucet began to drip.

Two days went by before I happened to look in the tub and see that it was now filled with 3-5 inches of water. YIKES!!!! Quilts came flying out of the basement. Cloth storage bags were stripped off and every surface in the back yard that wasn’t dirt was covered with a quilt. There were wet, dripping quilts everywhere. What a mess!!!

Wet Quilts 1Wet Quilts 2

Next, every towel in the house was brought out to soak up as much of the moisture as possible. Most of the quilts were OK, but several had colors that had begun to run, including: Bamboo, Running Commentary, and Turkeman Mother with Children.

What now??

Bamboo was the worst; a piece done in green fabrics, red dye from the backing fabric migrated to the front.

In a panic, having nothing to lose, I filled the tub again with cool water and poured in some Synthropol to capture the color. I submerged the quilt and let it soak for about 20 minutes, pulled it out, and rolled it in dry towels. This seemed to do the trick as most of the red color was washed out. What remains is faint; probably not noticeable if you don’t know what happened. No time for the “Before” photos, but here is the “After” shot.

The red is gone--almost.

The red is gone–almost.

Next was Running Commentary. There were multiple colors on the runner’s white shirt, but worse, were dark streaks across his neck and chin. My runner became a “batholete” and went swimming in the tub. He, too, was restored except for some faint areas on his white shirt. Again, only a photos of the end result.

Extra dye is out of the face.

Extra dye is out of the face.

Some unwanted dye remains.

Some unwanted dye remains, but it looks like shadow under the numbers

 

Out of time, I’m off to Kansas City with Turkeman Mother in tow. I’ve still got to deal with the water damage to her. Stayed tuned.

 

 

 

 

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Puppy Love, Part 2

Oh joy!!! I’ve finished something in less than a month; 2 1/2 weeks actually.  It’s such a thrill to jump into a project and just breeze through to the end.  With this piece, I took a break from thread painting and just did some dense stitching.  The new challenge was to establish some designs that would fit with each element of the composition.

The blonde hair of the girl was easy.  I used various values of yellow threads in long, undulated lines of stitching.

PL hair

Next, similar, but shorter, wavy lines were put down with some variegated threads in a pattern that alluded to the hair of the dog.  Several times I had to stop and pet my dear Coco’s face in order to really understand the changing direction of her hair.  She didn’t mind too much.

PL dog

Stitching the face was a leap of faith.  It is so tricky to stitch the face!  If you try to recreate the actual contours, and the lines aren’t just right, it throws off the perceived shape and makes the face look distorted.  I decided to go in a completely new direction: loop-d-loops.  I covered the entire face in a small repetitive design that had nothing to do with its shape or contour.  I still varied the threads, letting the values do the work.  I’m really pleased with the results.

PL face

The background was the most troublesome decision, just as with choosing the fabric.  The print was complex and busy.  Afraid that it would become too strong and overpower other elements, I didn’t want to stitch the printed design.  I came up with a wandering ribbon design with a tiny meandering stitch to fill in the spaces.  I feel like the 2 patterns of the fabric and stitching sort of neutralize each other and take away their power to dominate.

PL background

Finally, here’s the finished piece.Puppy Love

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Fused Applique Portrait Class

My Fused Applique Portrait class at CraftU begins March 7. There is still time to sign up. Here’s a link if you are interested:

Fused Raw-Edge Applique Portraits

https://www.craftonlineuniversity.com/courses/fused-raw-edge-applique-portraits

 Here are some samples of portraits done with this technique:

portrait-Jim Lea applique portrait

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Is Your Face in the Right Place?

I’ve just finished a new piece titled “Simple Pleasures”.  It features a young boy named Indigo who is celebrating his 6th birthday and is thrilled with his new plastic horse.  How wonderful to find such pleasure in something that has no bells, whistles, screens, login, or even batteries.

In this weeks video, I show you how to check the size, location, and dimensions of facial features so that the face looks realistic and well proportioned.

Golden Mean Calipers Pt 3: Facial Features

This piece was a chance for me to try a bolder color scheme.  I like the energy and vibrancy of it. Below are process photos to show how the piece came together.

Face and Hands

Face and Hands

Shirt and shorts

Shirt and shorts

Horse in Hands

Horse in Hands

Thread-painted face

Thread-painted face

Finished piece

Finished piece

 

 

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Life Imitates Art.

deck view

View from the deck

Often we think that our quilting is just a hobby, but I’m here this week to tell you that it is more than that.  It is rehearsal for life.

Just the other day, I kiss my husband goodbye and send him off to the airport, then step outside on the back deck to breathe some fresh air, absorb some vitamin D, and appreciate the storm clouds building over the mountains.  I’m glad to see it’s going to rain because it’s pretty hot right now.  My bare feet are getting scorched on the hot planks.

A storm brewing

A storm brewing

I turn to go back inside and find that the slider has locked behind me.  After checking the windows and finding them all closed tight, I give a “you hoo” to my neighbors, but no one is there to hear.  This deck sits a mere 10-12 feet off the ground with no steps to get there.  Also, the spot with the least distance between deck and ground happens to be the place where we have stored some extra landscaping rocks, and a bucket where we put bags of dog poop until the trash man comes.  A sense of panic would like to rise up inside of me, but NO.

I stop and think, “What would Quilter’s do?”

deck drop

No good place to fall.

The answer: I must save myself.  I need to take stock of available resources and get creative: see what is in the stash, and find new uses for available items. I find chair cushions and drop them over the side on the spot that I determine is the best place to land. Unfortunately, cushions bounce.  I manage to create a ring of cushions that will soften my landing as I fall over after hitting the ground.  I climbed over the rail and hung from the lowest plank until I lost my grip.  Apparently, I too, bounce when dropped from the deck.  With some minor scrapes, a nasty gash on the ankle and a modest amount of swelling, I am earthbound once again.

Limping up to the front yard brings the new realization that I am still locked out of my own home.  We had installed a new garage door opener the day before, but didn’t get around to programming the keypad. Damn procrastination!!

Once again, thinking like a quilter, I knew that sometimes you have to rip things apart and put them back together. I can’t give further details on how exactly to break into my house, except to say that, that particular option no longer exists.

I’m going back to my studio where there is nothing to break but a needle and thread.

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See Me on The Quilt Show

I recently taped an episode of TheQuiltShow.com with Alex Anderson and Ricky Tims.  Subscribers to that website got to see that episode last week.  Many thanks to those of you that sent kind words through email and Facebook.

sitting talking

Photo by Gregory Case

Now, I can share a link to that show with the rest of you. Click on the link here and you can watch too.

Watch The Show

This link will work until May 11, so make a cup of tea and sit back to enjoy.

Let me know what you think Also, for those of you that subscribe to The Quilt Show, I have a new series of lessons in the “Classroom” section of the website.  This course is on “Contemporary Batik”  If you’ve ever wanted to try batik, but were afraid of the mess, check out this class.  It will be FUN, and EASY!! http://thequiltshow.com/learn/classrooms FTI: you have to be a subscriber to the website to access this class.

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