Tag Archives: Portrait Quilts

Time for a New Pet Portrait: Got Kibble?

Upcoming Exhibition

Yes, I’ve actually found time to create new original artwork this summer.  The last several

Lea at the Creative Framing Art Gallery

I’ll be in good company

months have been packed with travel, teaching, and the Border Wall Quilt Project, but I’ve still carved out some time to focus on several new works of art, including a new pet portrait.  I’ll be a featured artist at the Creative Framing Art Gallery in Louisville, CO in the months of September-October, and these new pieces will be fully revealed at that time. If your in the area, please save the date: Sep. 7, 2018 for the opening reception, 6-9 PM.  

New Pet Portrait in the Dog’s Life Series

For now, let me share a sneak preview of what’s to come. . . .

Background detail of Got Kibble?

Some of my hand dyed fabric in the background

Face detail of Got Kibble?

Detail of dog

I often find inspiration from my students as I travel and teach.  In Ft. Collins, CO a student shared a photo of her, “Crazy dog!”  I had to agree, he looked pretty crazy, but also endearing.  With her permission, I’ve done a new, larger than life, pet portrait.

I find that animal portraits don’t demand the same level of precision as portraits of people. This is just one more way that animals are more forgiving than humans.  In this piece, the fabric does a lot of the work.  The edges are raw and fuzzy and add a bit of dimension.  I’ve done less thread-painting to keep those edges visible. It’s more like thread-sketching, and it’s great fun when you have to balance a new work with another new project that has a steep learning curve and lots of moving parts.

Plan to come and see this piece in person.  Come to the reception and see me in person, too.

Border Wall Quilt Project: Section 3 Under Construction

OH, and that other new project is the Border Wall Quilt Project.  Follow the link or follow me on Facebook and Instagram to see photos of the individual bricks and the process.  There is still time to register and submit your own bricks.  

Share

Artistic Opportunities: Border Wall & Portrait Quilts

Artistic Opportunities Take Many Forms

 As school draws to a close, my teaching responsibilities at Boulder High School give way to summer break. I’m gearing up for a fabulous summer of art. The possibilities are exciting and I’m hoping my fiber art friends will join me.

Artistic Opportunity: Be a Small Part of Something Big

First, are you like me? Worried about the discord and division that seems to be growing in the US. We have many important issues to address. Yet, we seem to struggle with the civil discourse needed to work our way to meaningful solutions.

The US/Mexico Border Wall is just one of these issues, but one that I want to tackle. I’m sponsoring the Border Wall Quilt Project; an art installation made of quilted bricks. I’m going to make the wall, but I need help with the bricks.  If this is an issue of concern for you, I hope you will join in.

 I’m calling on quilters to create 8×16 inch mini-quilts expressing their ideas, concerns, and opinions about the border wall and then send them to me. Anyone can submit up to 3 quilted bricks.  This isn’t a juried exhibition.  I intend to use all bricks submitted to create a wall about the wall.   Interested? Read More

Follow the progress at BorderWallQuiltProject.com

Artistic Opportunity: Portraits in Colorado

sign up for a workshop at eQuilter.com

Next, quilting and Thread-Painting people have been my art focus for many years now.  It’s my passion and I’m taking it to some pretty interesting locations this summer.

I’m pairing up with eQuilter.com to offer two workshops in my own backyard.  eQuilter.com is located right there in Boulder, Colorado and they are offering 2 workshops in their magnificent classroom space:  Thread-Painted Portraits, July 16-17, and Appliqué Portrait Quilts, July19-20

Visit eQuilter.com for more information.

Artistic Opportunities Around the Country

Finally, if you can’t make it to Colorado, look for me in these locations:

Spring Tea with the Loomis Quilt & Fiber Guild, Loomis, CA, May 5, 2018

North Carolina Quilt Symposium, Asheville, NC, May 31-June 3

Kentucky Heritage Quilt Society Getaway, Cave City, KY, June 13-15

 

Share

I Use Pets to Inspire Others, and Inspired Myself

Pet Portraits

We love our pets, don’t we??  Two years ago we made a frantic, late-night trip to the emergency pet clinic.  Three hours later, we came home without our precious Gretchen.  It was devastating.  That’s why I jumped at the chance this winter to put together a class where my portrait techniques are applied to Pet Portrait Memory Quilts.

I’m a dog person with lots of dog pictures.  However, in this class I wanted to address pet portraits for a variety of animals: cats, birds, horses, in addition to dogs.  So, I put out the call for precious pet photos to my friends and colleagues and found myself with many more great photos than I was able to use for the class.

I made some adorable samples for the course.  A few of them are included in this post.  As you can see, for these, I simplified the compositions.  I did this to teach the techniques and focus on specific art concepts. I’m hoping that students will learn the lessons and then apply them to more complex compositions.

I Inspired Myself

More complex compositions:  now that sounds like advice I should follow myself.  So, I went back through the photos and set aside a few more images for a new series.  The exciting thing for me is that these new compositions will include more context and will tell a larger story.  I’ve chosen some images that address the reasons we have and cherish our pets: loyalty, companionship, comic relief. . .

Last year, I completed Puppy Love.  That will soon be joined by “Vigil.” This second piece in the series is still a work in progress, so stay tuned to see how this piece and the rest of the series develops.

Cat Lovers Stay Tuned

And, if you’re a cat person, don’t worry.  A cat series is soon to follow.

Share

Moving from Fabric to Thread

Shifting gears, moving to the next phase, changing the focus; that’s what I’ve been doing in these last couple of weeks as I transition from the fusing stage of my project to the stitching stage.  I find it helpful to take a break and clear my head so that I can look at the project with fresh eyes.  So, during this period, an idea that has been floating around in my brain for several years actually came alive and demanded to be brought to creation.  I’ll img_1201share that with you in a few weeks.  It is a total departure from this project and did allow for the fresh perspective I needed.

Before going of on this side trip, the fused fabric foundation for “We Don’t Talk” was loaded onto my longarm machine.  You can see here all of the layers and how they are placed.  If you’ve done your own thread painting, you may know that it is always a struggle to end with a piece that lies flat.  I’m always on the quest for a better solution.  In the past, I’ve used a layer of raw artist canvas. This has been marginally successful, so, this time I will use 2 layers positioned under the batting so that the grains are perpendicular to each other.  I’m giving it a shot, but the tradeoff is weight.  This baby is going to be heavy for it’s size.img_1199

(2 weeks go by)

Thread, thread, so much thread needed.  Just as with my fabrics, I like to create selections for each element in the project, and just like with fabric, I use my trusty value scale to make good choices.  However, with threads, I usually put together sets of 7-10 threads: one each of the #1 and 5 values, and then two or three each of values 2,3,4.  However, given the size of the figure in this piece, I may have 3-5 threads in every value.  Here is what it looks like in my studio when the threads come out to play.img_1200

Hmmm, I think I’ll start on the face first.  Check back next week to see the progress.

 

 

Share

Finally, Finished Fusing

Yes, Finally, all of the body pieces are working together and creating the depth of field that I’m looking for.  With the face in place, I add some hair.

Helmet Hair

Helmet Hair

Yuck, that hair looks a bit too much like a helmet, but I’ll fix that when the background is in place.  I rehearsed several fabrics for the background and settled on a piece that I made a few years ago in a dye/print/paint surface design class that I took with Susan Brooks in Louisville, CO.

Periodically, I take a class that is out of my comfort zone, just to learn some new things and  get a fresh perspective.  That was Susan’s class.  I came home with lots of interesting pieces of fabric with no idea what would ever come of them.

Dye class fabrics

Dye class fabrics

more dye fabrics

more dye fabrics

How happy am I to find the perfect background in that stash of “experimental” fabrics.

Background ini place

Background ini place

Now, back to that hair….

more-hair

This is better.  Phase 1: Fusing is complete.

Share

Body Work

I’ve reached a place with my latest piece where I need to finalize a color scheme before moving on.  So far, I’ve only chosen fabrics for the flesh.  As I put these various body parts together, I’ve got to fill in the other elements of the composition (ie. dress, phone, background, hair.)  I use my Itten Color Star to work this out.

Color Scheme

Color Scheme

 

This Color Star is my favorite color wheel for making these kinds of decisions.  It comes with a full set of templates that let me block out colors I don’t want to use and let’s me get a better sense of what colors I will be  incorporating.

The hair is going to include yellow and yellow-oranges, while the phone will be blue-green, and her dress will be blue.

No decisions on the background yet, I’m going to put the figure all together and let it talk to me (or perhaps text me).

This week I’m able to complete the body along with the hand holding the phone. I’ve dipped into my special stash for the phone.  It is made from some hand marbled fabrics I picked up in Venice back in the 90’s.

A body to go with the hands

A body to go with the hands

Placing the face with the body, I have a real sense of progress.  I’m not sure about the darkness of the upper body, but I’m going to move forward.  I’ll audition some background fabrics before I decide whether or not to replace the body with lighter values.

A face with the body

A face with the body

Share

Talk to the Hand

The fusing has begun.  This week I was able to put together the hand for “We Don’t Talk”.   It is created from warm red-orange flesh tones that I hope will pop off the surface and give it a real “in your face” feeling.  For greater realism, I’m working with 7, rather than my standard 5 values.

The hand

The hand

Next, the face emerges from those cooler red-violet fabrics.  You can begin to see that there is a significant contrast in the temperature of these 2 features.  I hope it works as planned.

The face

The face

I’m liking the detail in the eyes and mouth.

Next week I hope to fuse the body and put the pieces together.

Share

A New Beginning

After 8 months of buying a new home, selling an old home, packing, unpacking, FINALLY, it’s time to be back in the studio.  For my next piece, I’m taking another break from the historical series I’ve been working on. This next piece addresses a contemporary social issue.

SAMSUNG

Waiting for a table

I’ve long been uncomfortable with a shift in communication that takes us away from face to face contact, replacing it with texting.  Several years ago, I took this photo outside a restaurant, intending to use it for a piece titled “We Don’t Talk Anymore.”

In my day job, teaching high schoolers, I set aside a period of time each week for “Community Building” where we engage in an activity, purely for fun, that requires us to talk with each other.  At the start of this school year, I’m aware of how uncomfortable this is for many of my new students.  This is the inspiration for a new project.

Photo of Maya

Photo of Maya

Instead of the original photo, I’m working from photos I took of my step-daughter, Maya.  In the interest of full disclosure, she posed for these photos.  They were not candid shots.  If she has actually done this to anyone, it hasn’t been me.

With the photo cropped, edited, and printed to size, fabric selection is next.  Usually, I choose a set of flesh toned fabrics for each person in my compositions so that they have individual complexions.  In this case, with this bold close up of Maya, I’m going to need to establish 3 sets of fabrics just for her.  I want to establish her body on 3 different planes: hand in front, face in mid-ground, and upper body in background and in shadow.  I’m hoping, by doing this, to pop the hand forward and give real depth and dimension to this piece.fabric selections in 3 color ways

I start by choosing fabrics for the face. It’s in the mid ground so I choose pinkish, red-violet fabrics.  For the hand, I choose warmer fabrics in the red-orange range to make them feel closer.  Finally, the main body is in cooler, violet fabrics.  The cooler temps of these fabrics will push them back.  The tricky part will be the arm that transitions from the hand to the body.

Check in next week to see this piece coming together.

 

 

Share

Making Faces All Summer Long

As a school teacher, I love summer vacation as much as my student, maybe more.  For me, it’s a chance to spend more time showing my fiber art, talking about my process, teaching my techniques, and of course, making thread-painted portraits.

This summer was no exception.  Check out this photo travelogue”

Thread-Painting workshop in Colorado Springs:

We made mouthsLook what I did!

 

 

 

 

 

 

5-day Summer Retreat in Lyons, Colorado:

Portraits on Parade

Portraits on Parade

Fused fabric portraits in Wichita, KS:

Teresa does Grandbaby

Blue dog in progress

Jo's self portrait

 

A quick visit to Longwood Gardens with Cheryl Lynch after speaking to the Calico Cutters guild in Philadelphia, PA:

 

And a mini-workshop and gallery lecture in Brigham City, UT

Brigham City Workshop

But the fun doesn’t stop…  There are more opportunities in the fall.  Join me if you can:

Workshops in LaConner, WA and Fort Collins, CO. See my “Upcoming Events” for more details

 

Share

Let’s Make Faces

Look what I did!

I hope you are enjoying a beautiful summer: picnics, camping, swimming, baseball…

But, when you are ready to come in, cool off, and do something creative, I invite you to join me in a portrait quilt class or workshop.  There are spaces open in these locations:

CraftU Courses are once again open for registration: 

 August 13 – Brigham City Museum, Brigham City, Utah.

Jo's self portrait

Jo’s Self portrait

September 30-October 2, 2016 – Quilt & Fiber Arts Festival, LaConner Quilt & Textile Museum, LaConner, Washington

October 15-16, Jukebox Quilts Store, Fort Collins, Colorado

Portraits on Parade

Portraits on Parade

 

“Portrait Quilt Workshop” Sat-Sun, October 15-16, 2016. Call (970) 224-9975 for more information.

January 19-22, 2017, Road to California Quilter’s Conference, Ontario, California

Share