Tag Archives: Portrait Quilts

Moving from Fabric to Thread

Shifting gears, moving to the next phase, changing the focus; that’s what I’ve been doing in these last couple of weeks as I transition from the fusing stage of my project to the stitching stage.  I find it helpful to take a break and clear my head so that I can look at the project with fresh eyes.  So, during this period, an idea that has been floating around in my brain for several years actually came alive and demanded to be brought to creation.  I’ll img_1201share that with you in a few weeks.  It is a total departure from this project and did allow for the fresh perspective I needed.

Before going of on this side trip, the fused fabric foundation for “We Don’t Talk” was loaded onto my longarm machine.  You can see here all of the layers and how they are placed.  If you’ve done your own thread painting, you may know that it is always a struggle to end with a piece that lies flat.  I’m always on the quest for a better solution.  In the past, I’ve used a layer of raw artist canvas. This has been marginally successful, so, this time I will use 2 layers positioned under the batting so that the grains are perpendicular to each other.  I’m giving it a shot, but the tradeoff is weight.  This baby is going to be heavy for it’s size.img_1199

(2 weeks go by)

Thread, thread, so much thread needed.  Just as with my fabrics, I like to create selections for each element in the project, and just like with fabric, I use my trusty value scale to make good choices.  However, with threads, I usually put together sets of 7-10 threads: one each of the #1 and 5 values, and then two or three each of values 2,3,4.  However, given the size of the figure in this piece, I may have 3-5 threads in every value.  Here is what it looks like in my studio when the threads come out to play.img_1200

Hmmm, I think I’ll start on the face first.  Check back next week to see the progress.

 

 

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Finally, Finished Fusing

Yes, Finally, all of the body pieces are working together and creating the depth of field that I’m looking for.  With the face in place, I add some hair.

Helmet Hair

Helmet Hair

Yuck, that hair looks a bit too much like a helmet, but I’ll fix that when the background is in place.  I rehearsed several fabrics for the background and settled on a piece that I made a few years ago in a dye/print/paint surface design class that I took with Susan Brooks in Louisville, CO.

Periodically, I take a class that is out of my comfort zone, just to learn some new things and  get a fresh perspective.  That was Susan’s class.  I came home with lots of interesting pieces of fabric with no idea what would ever come of them.

Dye class fabrics

Dye class fabrics

more dye fabrics

more dye fabrics

How happy am I to find the perfect background in that stash of “experimental” fabrics.

Background ini place

Background ini place

Now, back to that hair….

more-hair

This is better.  Phase 1: Fusing is complete.

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Body Work

I’ve reached a place with my latest piece where I need to finalize a color scheme before moving on.  So far, I’ve only chosen fabrics for the flesh.  As I put these various body parts together, I’ve got to fill in the other elements of the composition (ie. dress, phone, background, hair.)  I use my Itten Color Star to work this out.

Color Scheme

Color Scheme

 

This Color Star is my favorite color wheel for making these kinds of decisions.  It comes with a full set of templates that let me block out colors I don’t want to use and let’s me get a better sense of what colors I will be  incorporating.

The hair is going to include yellow and yellow-oranges, while the phone will be blue-green, and her dress will be blue.

No decisions on the background yet, I’m going to put the figure all together and let it talk to me (or perhaps text me).

This week I’m able to complete the body along with the hand holding the phone. I’ve dipped into my special stash for the phone.  It is made from some hand marbled fabrics I picked up in Venice back in the 90’s.

A body to go with the hands

A body to go with the hands

Placing the face with the body, I have a real sense of progress.  I’m not sure about the darkness of the upper body, but I’m going to move forward.  I’ll audition some background fabrics before I decide whether or not to replace the body with lighter values.

A face with the body

A face with the body

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Talk to the Hand

The fusing has begun.  This week I was able to put together the hand for “We Don’t Talk”.   It is created from warm red-orange flesh tones that I hope will pop off the surface and give it a real “in your face” feeling.  For greater realism, I’m working with 7, rather than my standard 5 values.

The hand

The hand

Next, the face emerges from those cooler red-violet fabrics.  You can begin to see that there is a significant contrast in the temperature of these 2 features.  I hope it works as planned.

The face

The face

I’m liking the detail in the eyes and mouth.

Next week I hope to fuse the body and put the pieces together.

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A New Beginning

After 8 months of buying a new home, selling an old home, packing, unpacking, FINALLY, it’s time to be back in the studio.  For my next piece, I’m taking another break from the historical series I’ve been working on. This next piece addresses a contemporary social issue.

SAMSUNG

Waiting for a table

I’ve long been uncomfortable with a shift in communication that takes us away from face to face contact, replacing it with texting.  Several years ago, I took this photo outside a restaurant, intending to use it for a piece titled “We Don’t Talk Anymore.”

In my day job, teaching high schoolers, I set aside a period of time each week for “Community Building” where we engage in an activity, purely for fun, that requires us to talk with each other.  At the start of this school year, I’m aware of how uncomfortable this is for many of my new students.  This is the inspiration for a new project.

Photo of Maya

Photo of Maya

Instead of the original photo, I’m working from photos I took of my step-daughter, Maya.  In the interest of full disclosure, she posed for these photos.  They were not candid shots.  If she has actually done this to anyone, it hasn’t been me.

With the photo cropped, edited, and printed to size, fabric selection is next.  Usually, I choose a set of flesh toned fabrics for each person in my compositions so that they have individual complexions.  In this case, with this bold close up of Maya, I’m going to need to establish 3 sets of fabrics just for her.  I want to establish her body on 3 different planes: hand in front, face in mid-ground, and upper body in background and in shadow.  I’m hoping, by doing this, to pop the hand forward and give real depth and dimension to this piece.fabric selections in 3 color ways

I start by choosing fabrics for the face. It’s in the mid ground so I choose pinkish, red-violet fabrics.  For the hand, I choose warmer fabrics in the red-orange range to make them feel closer.  Finally, the main body is in cooler, violet fabrics.  The cooler temps of these fabrics will push them back.  The tricky part will be the arm that transitions from the hand to the body.

Check in next week to see this piece coming together.

 

 

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Making Faces All Summer Long

As a school teacher, I love summer vacation as much as my student, maybe more.  For me, it’s a chance to spend more time showing my fiber art, talking about my process, teaching my techniques, and of course, making thread-painted portraits.

This summer was no exception.  Check out this photo travelogue”

Thread-Painting workshop in Colorado Springs:

We made mouthsLook what I did!

 

 

 

 

 

 

5-day Summer Retreat in Lyons, Colorado:

Portraits on Parade

Portraits on Parade

Fused fabric portraits in Wichita, KS:

Teresa does Grandbaby

Blue dog in progress

Jo's self portrait

 

A quick visit to Longwood Gardens with Cheryl Lynch after speaking to the Calico Cutters guild in Philadelphia, PA:

 

And a mini-workshop and gallery lecture in Brigham City, UT

Brigham City Workshop

But the fun doesn’t stop…  There are more opportunities in the fall.  Join me if you can:

Workshops in LaConner, WA and Fort Collins, CO. See my “Upcoming Events” for more details

 

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Let’s Make Faces

Look what I did!

I hope you are enjoying a beautiful summer: picnics, camping, swimming, baseball…

But, when you are ready to come in, cool off, and do something creative, I invite you to join me in a portrait quilt class or workshop.  There are spaces open in these locations:

CraftU Courses are once again open for registration: 

 August 13 – Brigham City Museum, Brigham City, Utah.

Jo's self portrait

Jo’s Self portrait

September 30-October 2, 2016 – Quilt & Fiber Arts Festival, LaConner Quilt & Textile Museum, LaConner, Washington

October 15-16, Jukebox Quilts Store, Fort Collins, Colorado

Portraits on Parade

Portraits on Parade

 

“Portrait Quilt Workshop” Sat-Sun, October 15-16, 2016. Call (970) 224-9975 for more information.

January 19-22, 2017, Road to California Quilter’s Conference, Ontario, California

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Puppy Love, Part 2

Oh joy!!! I’ve finished something in less than a month; 2 1/2 weeks actually.  It’s such a thrill to jump into a project and just breeze through to the end.  With this piece, I took a break from thread painting and just did some dense stitching.  The new challenge was to establish some designs that would fit with each element of the composition.

The blonde hair of the girl was easy.  I used various values of yellow threads in long, undulated lines of stitching.

PL hair

Next, similar, but shorter, wavy lines were put down with some variegated threads in a pattern that alluded to the hair of the dog.  Several times I had to stop and pet my dear Coco’s face in order to really understand the changing direction of her hair.  She didn’t mind too much.

PL dog

Stitching the face was a leap of faith.  It is so tricky to stitch the face!  If you try to recreate the actual contours, and the lines aren’t just right, it throws off the perceived shape and makes the face look distorted.  I decided to go in a completely new direction: loop-d-loops.  I covered the entire face in a small repetitive design that had nothing to do with its shape or contour.  I still varied the threads, letting the values do the work.  I’m really pleased with the results.

PL face

The background was the most troublesome decision, just as with choosing the fabric.  The print was complex and busy.  Afraid that it would become too strong and overpower other elements, I didn’t want to stitch the printed design.  I came up with a wandering ribbon design with a tiny meandering stitch to fill in the spaces.  I feel like the 2 patterns of the fabric and stitching sort of neutralize each other and take away their power to dominate.

PL background

Finally, here’s the finished piece.Puppy Love

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Puppy Love, Part 1

Maya & Coco

Maya’s selfie

This week I’ve jumped back into my art with gusto.  I’m tired of being on hold. I need to be creative!!  With a 4-day weekend and plans to pack and move postponed (again!) it was time to make up for lost time.

4" x 6" thread painting.

4″ x 6″ thread painting.

 

This past week has been devoted to making a piece titled “Puppy Love”.  I’ve done smaller versions of this piece in the past for small art auction donation pieces, but this one is big and bold.

It started with a selfie taken by my step-daughter, Maya with our little dachshund, Coco.  While previous versions were printed on fabric and thread-painted, this one is raw-edge fused appliqué and 30″ x 40″.

My color scheme is an analogous run of yellow-orange, orange, red, red-violet.  This kind of scheme tends to be calm and mellow, so, to punch it up, I threw in some blue-green.color scheme

A couple of marathon work days, and the piece was nearly completed.  Selecting the background fabric had me stalled for day as I just couldn’t decide.  I took audition photos with my phone and toggled back and forth between the shots until I was able to make a decision.

Background option 1

Background option 1

Background option 2

Background option 2

 

 

Now, it’s on to the stitching.  I’m going to try something new and will share that with you next week. Check back in next week.

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Fused Applique Portrait Class

My Fused Applique Portrait class at CraftU begins March 7. There is still time to sign up. Here’s a link if you are interested:

Fused Raw-Edge Applique Portraits

https://www.craftonlineuniversity.com/courses/fused-raw-edge-applique-portraits

 Here are some samples of portraits done with this technique:

portrait-Jim Lea applique portrait

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