Tag Archives: fiber art

Casting a Net Over Bike Boys

While I’m anxious to put the boys on the long arm and begin stitching, there is still some prep work to be done.  I’ve put the piece back on the design wall, put pins at the corners and 1/3 points along the sides.  Next I wrapped string connecting the points and creating a sort of net over the Boys.

These strings are really a network of tangents that run across the surface.  I can use them to identify  lost and found lines that fall on these strings.  I did this a few weeks back when the piece was only partially fused.  Now that it is done, I’ll choose a few key tangents and  accentuate them by stitching highlights and shadows so that they help guide the viewers eye through and around the piece.  Of course this key stitching will be the last stitching that I do on the long arm, but I need to identify these  tangents now, so that I can avoid removing and reloading the piece on the long arm later.

This is also a time to look over the composition and note areas that need some color or value correction.  For example, the bike frame under the front rider’s bum is just a bit too light.  I can cover it with a darker fabric now, or stitch it with darker thread later.  I think it is hard to see in this photo, but the man behind the bike, standing on the sidewalk, should have his feet showing, and they have been done in sidewalk fabric and are obscured.  They sit just on the line going across the bottom third of the piece.  That, I will fix with fabric now, taking care not to make them too strong.

I’ll have to leave this up for a few days and review it several times as it is hard to catch everything in just one viewing.  Do you see anything?

 

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New Progress on the Bike Boys

Building the background

This week I’ve managed to add more background.  You can see some buildings taking shape, along with another onlooker.  Even though

this piece is done in neutrals, I still want each element to be unique.  For me, that means giving each it’s own set of fabrics.  Thechallenge is to find a wide variety of fabrics from which to choose.  Although I just started cutting and fusing fabrics, I’ve been thinking about this project for over a year and have been collecting fabrics for at least that long. I was pleasantly surprised when I realized that I actually have all of what I think I will need to do this piece.

72 fabrics from the stash

As I choose fabrics for the background, I’m thinking about how to give it life and make it interesting.  Some of my previous backgrounds have been just solid pieces of fabric; a kind of blank canvas from which characters pop forward.  I think that has been a weakness of my previous work and I want this to be so much more.  At the same time, I want it to stay in the background and play a supporting role, not compete for the viewer’s first attention.  To this end, I have chosen to narrow the value scale.  I won’t work from white to black, but, rather, from a very light to a very dark gray.  In this way, the contrast in my values will not be as dramatic as in the foreground.  Also, I’ve chosen cooler colors.  The grays that I have picked are on the bluish side.  They will take a back seat to the warmer neutrals that I will use in the foreground.

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New Project: The Bike Boys

After months of delays and distractions, I’m finally putting fusible to fabric to begin my next pictorial piece.  My original goal was to create this piece over the summer, but I still haven’t completed the pattern.  In my defense, it is a pretty complicated composition with several characters and lots of small pieces.  It is, by far, my most ambitious project to date.  The intimidation factor is high. There are lots of voices in my head asking if I can really do this, or suggesting that it will not be as grand as I hope and that I should give up now before wasting a lot of time and resources. 

 To counter those voices, I’m going public.  I’m putting it out there for all to see with weekly updates on my progress.  I’m hoping my readers will cheer me on and encourage me when times get tough.  I’m also going to use this as a forum to write about the design decisions that I will make along the way.  I’ll share my thought processes and tell how I do what I do.  I hope it is interesting and brings you back.

The ultimate goal is to have this piece finished in time to submit it for consideration in the pictorial quilt competition at Houston next year.  I’ve been in special exhibits in Houston, but have never entered one of the competitions before.  (Scary stuff that prompts more nay-saying voices in my head.) That deadline comes in June.  Given that I first conceived of this project over a year ago, I’m going to have to pick up the pace.

Here is a picture of my first character.  He stands in the background looking on, so he is a minor character.  This piece will be done in neutrals with some pops of red.  To that end, I’ve given this guy a red vest. Because he is in the background, I’ve used the coolest, or pinkish reds, that I could find in my stash.  When warmer, or orangey reds appear in other parts of the composition, that contrast will help to push this guy to the background.

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Smile, and Look at the Camera

This last week was crazy hectic.  I welcomed Lilo Bowman, Editor in Chief, and Production Manager of The Quilt Show with Alex Anderson and Ricky Tims to my studio to tape several lessons that will be posted this fall and next spring on their website.  The days before we taped were filled with getting samples ready, and the days after were all about sorting out the mess and getting the studio back in order.  In between, it was fun, work, fun, work.  I have to say that I was very nervous at the beginning, but, with Lilo’s help, I soon relaxed and began to really enjoy the process.

Posing for the camera

 

Smile and look at the camera.

 

 

 

 

 

 

 

 

 

 

 

The lessons we taped will be posted in the TQS “Classrooms” section of the website.  Look for my Portrait Quilt lessons to begin sometime in the fall (I’ll keep you posted).  Then, look for my contemporary Batik lessons in the spring.

Good times!

 

How does it look

 

 

 

 

 

 Now, I’ve got to pack a bag and head to England for the Festival of Quilts in Birmingham.

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